Beauty, shaped by centuries.
MASTERPIECESof Japan
日本の美を、世界へ。
Discover the art, craft and cultural heritage shaped across centuries of Japanese history.
01 — Introduction
千年を超えて、受け継がれるもの。
Craftedthroughgenerations.
日本では、刀は鍛えられ、器は焼かれ、漆は幾重にも塗り重ねられてきました。その技と美意識は、作り手から作り手へ、持ち主から持ち主へと手渡され、多くの作品がいまも寺社や美術館で守り伝えられています。
MASTERPIECES OF JAPAN は、そうした作品を出典とともに紹介し、日本の美を世界へひらくためのデジタルアーカイブです。
In Japan, blades were forged, vessels fired, and lacquer laid down coat after coat. The skills and sensibilities behind them passed from maker to maker and from keeper to keeper — and many of these works are still cared for in temples, shrines and museums today.
Masterpieces of Japan presents them with their sources, opening Japanese beauty to the world.
The Archive
Under the Wave off Kanagawa (The Great Wave)Edo — Ukiyo-e
Raku Tea Bowl named FujisanEdo — Ceramics
Fugen Bodhisattva Riding an ElephantHeian — Sculpture
Irises ScreensEdo — Painting
Kakiemon ElephantsEdo — Ceramics
Noh Mask: Waka-onnaNoh Masks
Tea-leaf Jar with Wisteria DesignEdo — Ceramics
Dōjigiri YasutsunaHeian — Swords
Fine Wind, Clear Morning (Red Fuji)Edo — Ukiyo-e
Ō-yoroi Armour with Red Lacing, Bamboo, Tigers and SparrowsKamakura — Armor
Tenjukoku Shūchō (Embroidered Curtain of the Land of Heavenly Longevity)Asuka – Nara — Textiles
Okadagiri YoshifusaKamakura — Swords
Hollow DogūAncient — Ancient Arts
Sword Guard (Tsuba)Metalwork
Scrolls of Frolicking Animals and Humans (Chōjū-giga)Heian — Painting
Robe (Kosode) with Shells and Sea GrassesTextiles
Netsuke: The Seven Lucky GodsNetsuke
Scenes In and Around Kyoto (Uesugi Version)Momoyama — Painting
Celadon Vase with Iron Spots (Tobiseiji)Ceramics
Cosmetic Box with Wheels in StreamHeian — LacquerwareMasterpieces
A sword, a tea bowl, a writing box, a folding screen — works of different materials and centuries, hung as if in a single gallery.
Explore theCollection
- Armor甲冑02Protection rendered in silk cord and colour.
- Metalwork金工02Cast, chased and pierced — devotion in metal.
- Ukiyo-e浮世絵02Prints of Edo that went on to cross the sea.
- Teaware茶道具05Vessels chosen — and named — for a bowl of tea.
- Ancient Arts考古03Jōmon and Kofun — where Japanese form begins.
- Noh Masks能面02Carved faces that change with a tilt of the head.
- Netsuke根付01Small sculptures of Edo, made for the hand.
- Calligraphy書SoonLines that keep the speed of the brush.
- Woodcraft木工SoonReading the grain; carving and joining.
- Folk Craft民藝SoonThe beauty of use, by unnamed hands.
NationalTreasures
National Treasures are tangible cultural properties designated by the Japanese state, under the Law for the Protection of Cultural Properties, as Important Cultural Properties of especially high value from the standpoint of world culture. We label a work a National Treasure only when the designation can be confirmed in the Agency for Cultural Affairs’ database or an equivalent source.
Agency for Cultural Affairs — Database ↗
01
View objectNational Treasure
Writing Box with Pontoon Bridge
舟橋蒔絵硯箱
- Type
- Writing box (suzuri-bako)
- Period and date
- Edo period, Early Edo period
- Artist
- Hon'ami Kōetsu
- Material
- Wood, lacquer, gold, silver, lead
- Collection:
- Tokyo National Museum

02
View objectNational Treasure
Pine Trees in Snow
雪松図屏風
- Type
- Folding screens
- Period and date
- Edo period, 18th century
- Artist
- Maruyama Ōkyo
- Collection:
- Mitsui Memorial Museum

03
View objectNational Treasure
Hollow Dogū
中空土偶
- Type
- Clay figurine (dogū)
- Period and date
- Ancient, Late Jōmon (c. 1500–1300 BC)
- Material
- Fired clay
- Collection:
- Hakodate Jōmon Culture Center

04
View objectNational Treasure
Tenjukoku Shūchō (Embroidered Curtain of the Land of Heavenly Longevity)
天寿国繡帳
- Type
- Embroidered curtain
- Period and date
- Asuka – Nara period, 7th century (Asuka period)
- Material
- Silk
- Collection:
- Chūgū-ji

05
View objectNational Treasure
Raku Tea Bowl named Fujisan
楽焼白片身変茶碗 銘 不二山
- Type
- Raku tea bowl
- Period and date
- Edo period, 17th century
- Artist
- Hon'ami Kōetsu
- Collection:
- Sunritz Hattori Museum of Arts
29 National Treasures in this archive
All National TreasuresMaterials
Clay, lacquer, iron, gold, cloth, wood. Japanese craft begins by reading a material and drawing out its nature. Look closely enough and the material itself becomes an abstract painting.
- CeramicGlaze runs; the kiln decides the skin.10Detail — Yōhen Tenmoku Tea Bowl (Inaba Tenmoku)

- LacquerA drop of sap, applied through countless coats.04Detail — Cosmetic Box with Wheels in Stream

- IronFolded steel, where the hamon becomes a landscape.05Detail — Dōjigiri Yasutsuna

- GoldGold not to dazzle, but to glow in the dark.05Detail — Irises Screens

- SilverA metal that darkens, and deepens, with time.02Detail — Writing Box with Pontoon Bridge

- TextileEvery thread becomes part of the design.03Detail — Tenjukoku Shūchō (Embroidered Curtain of the Land of Heavenly Longevity)

- WoodReading the grain to carve a form of devotion.03Detail — Guardian King (Kongō Rikishi), Agyō

- PaperA fibrous surface that takes ink and lets light through.03Detail — Pine Trees Screens

- BambooSplit and woven, its spring becomes form.Soon
- GlassCut facets divide the light into many strands.Soon
JapaneseSwords
Curvature, the hamon along the edge, the point. Before it is a weapon, a Japanese sword is a landscape drawn in forged steel by the quench.
太刀04
Tachi
Slung edge-down from the belt
刀00
Katana
Worn edge-up through the sash
脇差00
Wakizashi
The shorter companion blade
短刀01
Tantō
A blade under one shaku
薙刀00
Naginata
A curved blade on a long shaft
槍00
Yari
A straight-bladed spear

National Treasure
Dōjigiri Yasutsuna
Dōjigiri Yasutsuna
A tachi by Yasutsuna, a smith of Ōhara in Hōki Province, from the Heian period. One of the Five Swords Under Heaven (Tenka Goken), it is sometimes paired with Ō-Kanehira as a yokozuna among Japanese swords, and is valued as one of the oldest surviving blades of its kind.
- Swordsmith
- Yasutsuna
- Period
- Heian period
- Designation
- National Treasure
- Collection
- Tokyo National Museum
Periods
Dates are conventional guides; scholars draw the boundaries differently.
CraftRegions
From Hokkaidō to Okinawa, local materials and ways of life have shaped each region's craft. An object's region refers to where it was made — not where it is kept today.
- 01Hokkaidō北海道1 object
- 02Tōhoku東北1 objectNambu Ironware · Ōdate Magewappa (bentwood)
- 03Kantō関東1 objectYūki Tsumugi silk · Edo Kiriko cut glass
- 04Kōshin'etsu甲信越SoonOjiya Chijimi ramie crepe
- 05Hokuriku北陸SoonWajima Lacquerware · Kutani Ware · Echizen Washi paper
- 06Tōkai東海1 objectMino Ware
- 07Kinki近畿SoonNishijin Weaving · Shigaraki Ware
- 08Chūgoku中国2 objectsBizen Ware · Hagi Ware
- 09Shikoku四国SoonMarugame Uchiwa fans · Awa Shijira cotton
- 10Kyūshū九州1 objectArita Ware (Imari) · Hakata Weaving · Beppu Bamboo Craft
- 11Okinawa沖縄SoonBingata dyeing · Tsuboya Ware
Okadagiri Yoshifusa
Story 01
Why Is the Japanese Sword Beautiful?
A single curved length of steel, its surface carrying a landscape left by the quench — the hamon. How did a weapon become an object of contemplation? We read the answer in three National Treasures.
Read the storyThe hamon is steel's memory of fire.

Silence, painted.
余白までが、描かれている。
MasterArtisans
Swordsmiths, painters, potters and lacquer masters — the people behind the works, with dates and sources. Living makers will be introduced as their sources are verified.
鳥羽僧正覚猷Toba Sōjō Kakuyū1053–1140 — Monk (traditional attribution)
貞宗Sadamune1298–1349 — Swordsmith
長谷川等伯Hasegawa Tōhaku1539–1610 — Painter
狩野永徳Kanō Eitoku1543–1590 — Painter, Kanō school
本阿弥光悦Hon'ami Kōetsu1558–1637 — Calligraphy, ceramics, lacquer
俵屋宗達Tawaraya Sōtatsu1570–1643 — Painter
野々村仁清Nonomura Ninsei1648–1690 — Potter
尾形光琳Ogata Kōrin1658–1716 — Painter and designer
円山応挙Maruyama Ōkyo1733–1795 — Painter
葛飾北斎Katsushika Hokusai1760–1849 — Ukiyo-e artist
柴田是真Shibata Zeshin1807–1891 — Lacquer artist and painter
安綱YasutsunaHeian period — Swordsmith, Hōki Province
三条宗近Sanjō MunechikaHeian period — Swordsmith, Sanjō, Kyoto
包平KanehiraHeian period — Swordsmith, Bizen Province
吉房YoshifusaKamakura period — Swordsmith
Films
Films published by the Agency for Cultural Affairs, national museums and craft associations, shown through YouTube's official embed. Nothing loads from YouTube until you press play.
LacquerwareIn Japanese
The craft of maki-e (Agency for Cultural Affairs)
Video title: 「蒔絵―中野孝一のわざ―」
Source: 文化庁 bunkachannel · YouTube ↗
Ukiyo-eIn Japanese
Printing ukiyo-e (Tokyo National Museum)
Video title: 「「浮世絵ができるまで ~摺りの工程~」Ukiyo-e from A to Z: The Printing Process of Japanese Woodblock Prints」
Source: TokyoNationalMuseum · YouTube ↗
CeramicsIn Japanese
Bizen ware techniques (Japan Kōgei Association)
Video title: 「「伊勢崎 淳 備前焼」のわざを伝える(ダイジェスト版)」
Source: 公益社団法人 日本工芸会 · YouTube ↗
SwordsIn Japanese
A National Treasure tachi (Kyushu National Museum)
Video title: 「新・九州国立博物館の逸品「国宝 太刀 銘来国光」」
Source: kyuhakuchannel · YouTube ↗
PaintingIn Japanese
High-fidelity reproduction of the Wind and Thunder Gods (Canon Tsuzuri Project)
Video title: 「綴プロジェクト:俵屋宗達筆「風神雷神図屏風」/Tsuzuri Project: “The Wind and Thunder Gods” (Canon Official)」
Cosmetic Box with Wheels in Stream
Story 02
Urushi: Beauty That Begins with a Single Drop
The sap of the lacquer tree is both a coating and an adhesive. On its black, gold is sprinkled and shell is set. From Heian to Edo, we follow the time of lacquer through three National Treasures.
Read the storyBlack is the darkness in which gold looks most beautiful.







